The "year end" list has become so cliché at this point, I know - but that doesn't mean it's still not fun for me putting one together. Besides, it's always gratifying to see how much better mine is than all the rest (just kidding...sort of). I won't go too into my thought process when putting this together other than it's a combination of lots of factors: production, lyricism, consistency, overall execution and plain ol' personal taste. I try to keep that last factor to a minimum, however, and try to base the merits of each album relative to the others on the list. In other words, my main goal is to create a food chain of sorts - these are the very best of 2011 that I listened to out of 200+ LP's, EP's, mixtapes, etc. and if you want to get a taste of what the year embodied as a whole, I think this is the order you should listen to them in.
Notice two things: First, I said of the albums "I listened to", meaning that I tried to be as thorough as I could possibly be. So if you don't see something you liked on here, either I didn't listen to it or I just didn't like it - sorry. And second, notice that the title says my top 25. You don't have to agree with it in the slightest and that's okay - you'd be wrong, but that's still okay. I'd be lying if I said I didn't want each and every one of you to love this list, print it out and consider it scripture, but if I can take you down memory lane and recall some favorites we share or, more importantly, help you discover something within these 25 picks that you didn't know about and then come to love as much as I did, then my job is done (which I don't technically get paid for, but hey - I do it for Hip Hop). Enjoy.

#25) Greneberg (Roc Marciano, The Alchemist & Oh No) - Greneberg
Gutter Water and Marcberg were without question two of 2010's finest releases - they were both seeped in dirty, dank and hard hitting beats and were very much a reflection of each other. So it was only natural that these kindred spirits found each other, form like Voltron and become Greneberg. The trio could've easily gone for a new sound and churned out a product that lost the essence of what made their previous albums so dope. But that was far from the case as this EP plays to each of the members' strengths and showed other crews how collabs should be done. Fuck an EP, WE WANT AN ALBUM!
LISTEN AND DOWNLOAD --> HERE

#24) Epidemic - Illin Spree
Digging through crates for new Hip Hop is an experience that will never be replicated. But the Internet opens up to a whole new world of artists that would fade into obscurity without making so much as a blip otherwise. The cover for Illin Spree is unassuming - it doesn't pop out at you in any particular way so I can't say if I'd seen this album sitting on a shelf in a record store I would've picked it up. But when I stumbled upon it through my many travels across the Net looking for that new heat, I can't deny just how I stunned I was. HexOne and Tek-Nition showed off tremendous skill and a dexterity on the mic that was completely unexpected. From government conspiracies to simply slaying wack emcees over and over again, the subject matter rarely ever deviates, but each track manages to feel fresh and new. That's also due largely in part to 5th Element's slick production from top to bottom. Illin Spree reminds me that the Hip Hop landscape is still vast and pushes the need to look just a little further for that next hidden gem.
LISTEN AND DOWNLOAD --> HERE

#23) Hassaan Mackey & Apollo Brown - Daily Bread
We caught a small taste of the potential magic between these two on The Left's classic Gas Mask with the track "How We Live". Hassaan Mackey's stone cold flow sounded so right on Apollo's equally cold beat and Daily Bread proved to be grander on every scale. Apollo's beats are hard to be outdone, but Hassaan Mackey spewed some of the realest and most honest bars I heard all year long; this is a man pouring his soul out on wax. While Apollo Brown wasn't as prolific in 2011, perhaps that gave him the chance to become extremely focused on this record and the chemistry between he and Mackey was lightning caught in a bottle.
LISTEN AND DOWNLOAD --> HERE

#22) Reks - R.E.K.S. (Rhythmatic Eternal King Supreme)
Reks is the sort of emcee I listen to and wonder how many rappers he makes throw down their pens (or Blackberrys) in frustration and go back to the drawing board. And what's even scarier is that he somehow keeps getting better with age like a fine wine. Take a stroll through his catalog and you'll see this cat has steadily worked towards a level that most rappers would kill to be on. But with R.E.K.S., Corey Christie not only delivers verbal beat downs, he also delivers his most open and reflective album to date. From his father's affliction with AIDS, to his mother's drug addiction, he's not just making music for music's sake, this is therapy for the soul. Reks is one of the most versatile emcees around and as he continues to grow as a man, so does his music.
LISTEN AND DOWNLOAD --> HERE

#21) Apathy - Honkey Kong
Apathy took the best elements of his previous album Wanna Snuggle? and got the formula just right on Honkey Kong. With Ap, you know what you're going to get - knocking beats, punchlines for days and a consistenly great LP. The list of producers alone is enough to make any Hip Hop nerd do backflips with the likes of DJ Premier, Da Beatminerz, DJ Muggs, Evidence and Statik Selektah (amongst others) contributing gasoline to the fire. Apathy has caught shit in the past for the abundant guests on his records, but they work perfectly with each one serving its purpose and never feeling out of place. If anything, Apathy shows he can hang with the best of them by constantly reminding us that he's running this show.
LISTEN AND DOWNLOAD --> HERE

#20) Clan Destined - Self Titled
It was a little site known as Bloggerhouse that schooled me on the duo of DT and AmDex, collectively known as Clan Destined. Self Titled is one of those records that I regrettably didn't get around to until a few months after it dropped and then consistently kicked my own ass for not wising up sooner. The musical heights we're taken to are beyond the clouds and the sheer scope and range that DT and AmDex sought, and ultimately accomplished, is inspiring. Records that break the mold and can make me feel like we're venturing off in some new direction are always welcome and Self Titled did just that.
LISTEN AND DOWNLOAD --> HERE

#19) IMAKEMADBEATS - IMAKEMADBEATS
January releases face the potential downfall of being released too early in the year and falling by the wayside as dozens (and hundreds) of other contenders fight for listeners' ears. After just the first go-round, I knew NeMo had crafted a special album and as other releases came and went, his debut remained near the top of the heap once the dust settled. It should come as no surprise, however - NeMo showed off tremendous range with his sound and a handful (literally, check the cover) of dope emcees. But what made this one great is that IMAKEMADBEATS never once let any one rapper top him. The beats always took center stage and he remained in control like the crazy conductor he is.
LISTEN AND DOWNLOAD --> HERE

#18) Joell Ortiz - Free Agent
I've never been a fan of Slaughterhouse, but the one shining light in the group for me has always been Joell Ortiz. This was his first record outside of the crew and he reminded everyone why each other member has tried to find solo success through multiple releases and he just topped them all with one. With very few guests backing him, Joell stockpiled some tremendous beats and killed countless mics as he ran a verbal gauntlet on Free Agent, all the while slaying everything in his path. Being released from Aftermath proved to be a blessing as Joell sounds more determined than ever to prove his worth, delivering seemingly ever word with a ferocity and purpose that couldn't be stopped. He kicks every line like his life depends on it and we come to learn that it does.
LISTEN AND DOWNLOAD --> HERE

#17) Thurz - L.A. Riot
I never would've expected an album from a former U-N-I member to be so stark and incendiary, but that's exactly what Thurz delivered on his solo debut. Imagine Bomb Squad/Sir Jinx era Ice Cube making a record in 2011; as odd as that sounds, that's what L.A. Riot made me feel. From recounting the beating of Rodney King on one of the album's most powerful tracks, to telling stories of gang life in the inner city, Thurz takes you on a grand tour through a side of Los Angeles that's not all glitz and glamour. Perhaps leaving U-N-I was the main reason Thurz was able to make an album of this caliber and for that he should be commended. This was by far, for me, the year's biggest and most unexpected surprise.
LISTEN AND DOWNLOAD --> HERE

#16) yU - The Earn
yU follows up last year's highly acclaimed debut Before Taxes with yet another gem in The Earn. I loved Before Taxes (it made my top 25 of 2010) and I wondered just how Mr. Willingham would be able to outdo himself, but if there's one thing I've come to learn about yU is that he doesn't disappoint. Whether it be with his Diamond District crew or the 1978ers, yU has proven time and time again that he's more than a one trick pony, capable of coming at you in varying forms. The Earn is much more focused, much more honest and is the soundtrack to the "everyday man" as yU meditates on life, love, money, work - subjects on a more relatable level than a lot of popular rappers offer. yU is a true talent and he remains one of Hip Hop's brightest talents.
LISTEN AND DOWNLOAD --> HERE

#15) Pharoahe Monch - W.A.R. (We Are Renegades)
With his place as one of the best lyricists ever pretty much wrapped up, what does Pharoahe Monch have left to prove? Plenty, apparently. With two beloved solo albums already under his belt, there is the always underlying pressure to make yet another classic. Only time willl tell if W.A.R. falls into that same category, but it's no doubt another jewel added to the Pharoahe's crown. The beats are big, epic and accompany the verbal darts being thrown from seemingly every direction. Politically and socially charged, it's a treat and privilege to hear Pharoahe Monch do his thing. One of the few albums where the beats were great (minus "The Grand Illusion"...ugh), but it was the emcee that was greater.
LISTEN AND DOWNLOAD --> HERE

#14) DTMD - Makin' Dollas
Really, what can I say about Dunc and Toine that I haven't said a million times over by now? I've showered them with praise since last 2010's stunning EP The Basics and with each subsequent leak of new music. Even before I heard Makin' Dollas, I knew it was poised to be something special, but DTMD still managed to blow me away with their first official LP. These dudes are much younger than so-called vets, but make music that's miles ahead of their years. Toine rhymes with the wisdom and knowledge of someone twice his age and Dunc makes beats more mature and expansive than his counterparts. I've said it before, but it bears repeating: DTMD is the future of Hip Hop.
LISTEN AND DOWNLOAD --> HERE

#13) Kaimbr & Kev Brown - Alexander Green
Word of this joint project from Low Budget all stars Kaimbr and Kev Brown bubbled for a minute and once a solid release date was announced, it quickly became one of my most anticipated albums of the year. Pretty much anything Kev Brown touches becomes gold and Alexander Green was no different as he continues to play the MPC like a Stradivarius while tackling Al Green's legendary catalog to cook up some of his finest beats to date. Throw in Kaimbr's confident and versatile flow into the mix and these cats could do no wrong. One of the more consistent records of the year, there was not one dull moment to be had. These are artists at the top of their game showing the world how great Hip Hop is made.
LISTEN AND DOWNLOAD --> HERE

#12) Self Scientific - Trials Of The Blackhearted
You've probably slept on Self Scientific (even after a decade plus) and that's cool, I can forgive that. But if you take the time to give their latest EP a spin and still refuse to acknowledge their undeniable talent, then you're just playin' yourself. Chace Infinite and DJ Khalil have been one of the most consistently great duos for some time now and they still haven't gotten their just dues. After two classic full length albums and another on the way, Self Sci took the time to prepare this EP and their unique brand of militant-minded yet inspiring and socially-conscious Hip Hop and continued to evolve. Truth be told, these are masters of their craft that show no signs of letting up. Khalil's beats continue to be a force of nature and Chace still has, for my money, one of the most distinct voices and some of the deepest bars around. These are two of the best Los Angeles has ever known - wisen up.
DOWNLOAD --> HERE

#11) Rashad & Confidence - The Element Of Surprise
There probably wasn't a more aptly titled album in 2011 than Rashad and Confidence's debut to the world. It's like they slyly named it knowing what they had hidden up their sleeves. I only heard about this album a few short weeks ago, but it was worthy enough to crack my favorites of the year - yeah, it's that good. I have a Spidey Sense for records sometimes and the Lord Finesse & DJ Mike Smooth Funky Technician-inspired cover spoke up and told me I had to hear this before I even heard it. What makes Surprise rank so highly on this list is how it harkens back to the days of a true "duo" album. No guests, no outside production - just a producer and an emcee making heat in the tradition of Hip Hop luminaries like Gang Starr, EPMD and Show & A.G. This album is solid with absolutely no filler and tremendous cohesiveness. They even do the Hip Hop love song how it should be done, how can you be mad at that? Just as the title suggests, this one snuck up on me and quickly became a favorite.
LISTEN AND DOWNLOAD --> HERE

#10) Saigon - The Greatest Story Never Told
I thought TGSNT was going to be something completely different than what it turned out to be. I expected something a little more towards the commerical side (which I guess in some ways it is) and an album that wouldn't be my cup of tea at all. What I did get was a surprisingly moving and inspirational experience. Saigon nimbly moves through Just Blaze's incredible production and delivers some truly great songs reflecting on unexpected fatherhood, betrayal at the hands of old "friends", but the one thing I really respected was that Saigon stayed away from "bling" rap. He showed that he continues to struggle despite his successes. TGSNT also earns the distinction of being the only album on this list that proved to be greater than the sum of its parts. Some songs sound just okay on their own, but within the context of the album they flow seamlessly and that's a big factor in ranking this list. It's also worth noting that while the underlying concept of being transported to different places through the stations on the radio has been done before, the way it all wraps up in the end is excellent and hasn't been really pointed out in other reviews I've seen. Any way you slice it, the wait was worth it as Saigon and Just Blaze delivered big time after so much anticipation.
LISTEN AND DOWNLOAD --> HERE

#9) The Roots - Undun
With the Illadelph crew, it's not even of a question of "Will their album be good?", it's more like "How good will it be?" Admittedly, even I had my own doubts. Following the EXCELLENT How I Got Over (#2 on my list from 2010) would be no easy task as it ended up being one of the best entries in their impeccable catalog. It's usually a two year wait between albums, so I didn't know how such a fast turn-around would impact the group's latest chapter. While I still love HIGO just a bit more, there's no denying the power and beauty that Undun brings with it. Every review I've seen goes on and on about the "concept" this album is built around so I won't touch on it here, but the story and the way it's told plays out like a great book - each subsequent listen reveals so many more little details that were missed the first time around. Undun is painfully short and my main factor for not ranking it higher, but the concept and execution by The Legendary Roots Crew cannot go unnoticed as one of the finest outings of 2011.
LISTEN AND DOWNLOAD --> HERE

#8) Malcolm And Martin - Life Doesn't Frighten Me...
Listening to albums like Life Doesn't Frighten Me... is both a blessing and a curse. A blessing because it was one of the most entertaining records I heard all year, but a curse because I knew the public at large would be too ignorant to understand it or discover it to begin with. KB iMean and Styliztik Jones, along with direction from DJ Revolution, truly embody the spirits of the real-life Malcolm and Martin by being both militant and defiant, but empowering and never violent all at once. From the out-the-gate force of the intro all the way to the end, Life flows like water in no small part to Revolution's funky and energetic beats. Rev has always been a highly underrated producer, but DAMN he came correct with this one. Most of you probably didn't even know this album existed (unless you follow me on Twitter). That's a damn shame, but it's never too late to catch up. As far as slept-on LP's of the year, this may very well be #1.
LISTEN AND DOWNLOAD --> HERE

#7) Action Bronson - Dr. Lecter
Along with Thurz' entry on this list, I probably would've laughed in your face had you told me at the beginning of the year that Action Bronson's proper debut would be this dope. Like a lot of folks, I held the fact that he sounds so much like Ghostface against him, but take a good listen and you quickly realize that Action Bronson has a style and flavor all his own. Plus throw in the fact that he reportedly only started rapping about 4 years ago and it's jaw-dropping just how charismatic and at home he sounds on the mic. Whether spinning seedy tales about ex-girlfriends, his battles with weight gain (some of Dr. Lecter's biggest laughs) or his many bars involving food, this was some of the most fun I've had simply sitting back and listening to every line a rapper spit just to see what he'd say next. I can't possibly talk about Dr. Lecter and not mention the other revelation here: Tommy Mas' simply AMAZING production. He contributed every beat and it's without question some of the most consistently ill instrumentation you'll find on any record all year. Action Bronson doesn't hit you over the head with preachy lyrics - he let's other rappers do that. What he does give you is one of the most shamelessly fun listens in recent memory.
LISTEN AND DOWNLOAD --> HERE

#6) Rasheed Chappell - Future Before Nostalgia
I've never met Rasheed Chappell (shit, I barely only discovered his music), but if I run into him anytime soon, I'd probably apologize for sleepin' on his work. I heard about this album some time ago, but kept putting it off for whatever reason. As the end of the year approached, I had it on my short list of albums yet to check out. All I kept thinking after each successive track was, "Holy shit.....holy shit......HOLY SHIT!" The beats, courtesy of the always dependable Kenny Dope, were incredible, but the lyricism was the true show-stopper. Whether it was the eye-opening "Children Of The Ghetto" to the awe-inspiring "Theology Of War", I couldn't help but wonder if this was the sort of thing that inspired one Nasir Jones as he grew up and later recounted the things he saw outside his project window. I'm not making any comparisons just yet, but I will say that Rasheed Chappell is well on his way. It's scary to think Future Before Nostalgia almost completely passed me by, so take my advice and seek this one out if you haven't already. If you're already knowing, you no doubt agree with me. If you're still asleep, it's time to wake up.
LISTEN AND DOWNLOAD --> HERE

#5) Blitz The Ambassador - Native Sun
For those of you that even remotely care about my list, I feel this may be my most controversial pick. Not that Native Sun isn't a great record (duh, it's my #5), but because I feel this is the album, more than any other within these 25, that will fly over peoples' heads. I hope that doesn't sound like I don't respect your ear for music, but I recognize that this album may not be for everyone (even though I obviously think it is, given the proper chance). Blitz flipped me on my ear with 2009's superb Stereotype, but Native Sun is on a whole other level. A lot of rappers talk about taking it back to the essence, to their roots, but Blitz takes it all the way back to the Motherland with a fusion of Afro-beat, Latin, Funk and just about any other genre but manages to remain a Hip Hop record at its core.
At this point, we've heard just about everything there is to hear; the game has become more about how you present something rather than what you present. When you can manage to take a whole genre of music and elevate it to a whole new level and give people a glimpse of where it can go, that's where the true magic lies. I sat in awe for 45 minutes as I was taken on one of the most unique musical journeys I've ever been on as a Hip Hop head and I have Blitz The Ambassador to thank for that. Some of you will get it, most of you won't, but if you're open-minded enough and can think outside the box for just one second (or, in this case, 2700 of them) you might just wind up looking at Hip Hop in a whole new light.
LISTEN AND DOWNLOAD --> HERE

#4) Has-Lo - In Case I Don't Make It
ICIDMI was on my radar for a while. I've mentioned it before, but like Gas Mask (my #1 pick in 2010) I heard rumblings of this near-mythical album's greatness and couldn't wait for it. Forward to March of 2011 and me sitting in my car and feeling almost pinned to my seat, unable to move as Has-Lo's opus first played out of my speakers. I had errands to run, things to do, but none were more important to me at that moment than hearing this thing through; I was in such a zone and I didn't want to leave it. Once it was finally over, I was so drained that I didn't quite know what to make of it. We weave and work our way through Has' mind and soul, to the deepest and darkest places we all know exist within our own selves but are afraid to visit. And the way this ride ends? I would be doing a disservice by spoiling it for you, but it's pure genius and reflects the uncertainty that life brings with it.
In this day and age of non-stop features and guest spots on supposed "solo" albums, this is a true one-man show as Has takes the reigns all by himself from beginning to end and that's the only way an album this deep could be presented. This is one man's soul on display and it's his own story to tell, nobody elses. ICIDMI is something I have to be in a certain mood to listen to and that's not a knock againt it in the slightest because it remains the LP that made the biggest emotional impact on me, more than any other on this list. It took me to a place I didn't think I'd end up, but I'm glad I went to nonetheless.
LISTEN AND DOWNLOAD --> HERE

#3) Random Axe - Random Axe
There might have been albums that did more musically, that are way more lyrical, that are a lot more things in different ways than my #3 pick...but for in-your-face, unabashed Hip Hop, very few got it as right as the trio of Black Milk, Sean Price and Guilty Simpson. Maybe as an indirect response to the baby thigh soft music that has become the norm on the airwaves, Hex Murda took it upon himself to help create a group with a "no nonsense, take no prisoner" mentality and to that end, he succeeded. Sean P spits some of his grimiest bars ever and Guilty Simpson delivers the punishment as well. But the glue here is the waterproof producer known as Black Milk who continues to bring the pain behind the boards with his bonecrushing instrumentals. Don't lie, you know that slap on "Everybody Nobody Somebody" hits sharp enough to make you flinch. When I anticipate any album, I invariably imagine what I think it'll sound like - sometimes it lives up to that, other times it doesn't. Random Axe sounds EXACTLY like what I envisioned and what I wanted it to be. Front to back, this one knocks harder than most and remains one of 2011's pure Hip Hop experiences.
LISTEN AND DOWNLOAD --> HERE

#2) Elzhi & Will Sessions - Elmatic
If anyone is worthy enough of taking on the monumental task of recreating Illmatic, it would be Elzhi. He possesses a true gift with words and he utilizes every bit of that gift to do justice to one of the best albums not just Hip Hop, but the WORLD, has ever known. After numerous delays and other Illmatic tribute projects in the interim, I had to wonder if yet another would even be relevant anymore. Not only did El and Will Sessions make it relevant, they made it one of the most astounding records of the last few years. Part of its genius lies in not taking the easy route and letting Elzhi rap over the classic instrumentals like others had done before, but by Will Sessions painstakingly not just recreating, but reinvisioning, those 9 beats (minus "One Time 4 Your Mind") that are part of Hip Hop legend.
Once the sound was locked in, Elzhi took the foundation Nas laid down, switched out New York with Detroit as his backdrop and proceeded to put yet another lesson down in emceeing. He makes it seem so effortless and second nature that it's almost disrespectful to put any other rapper on his level. Elzhi is just so above and beyond everyone else that it's not even funny. From the chills "Detroit State Of Mind" induced, the way "The World Is Yours" transitioned to "Represent" with Will Sessions' absolutely mind-blowing recreation of "Thief Of Baghdad" and Stokley Williams' flawless cover of The Gap Band's "Yearning For Your Love" in the closing moments of "Life's A Bitch", it's unbelievable all of the elements that had to come together to make Elmatic what it is. It's undoubtedly one of the most fitting tributes one artist has ever paid another, but it also stands as a masterpiece itself.
DOWNLOAD --> HERE

#1) Evidence - Cats & Dogs
I was lucky enough to attend Evidence's sold out album release party at The Viper Room back in October. After the show, I ran into him outside, said what up and told him, "Congratulations on dropping the album of the year." Humble as he always is, Ev just laughed and said, "You crazy, man." But when it comes to what I think is a particular year's best album, I don't play around and I don't mince words. Granted, the year was already winding down and there were still a few big name releases yet to be heard, but I knew then - and moreso now that the smoke has cleared - it's Ev's follow-up to The Weatherman LP that reigns (or rains?) supreme.
Countless artists have emerged from the Los Angeles underground scene since the late 90's, but very few have remained or stayed relevant all these years later and even fewer have seen their stock continue to rise. The reason Evidence has succeeded, among others, is that he gives his loyal fan base exactly what they want. Knockin' beats, honest rhymes and a consistency that few other rappers deliver. Think about it: have you ever heard Ev spit on a wack beat? You'd be hard pressed to find one. He's found his voice with each subsequent release and he's so locked into what makes his music great that it's a sight to behold.
From The Weatherman LP to The Layover EP, he's steadily worked his way to Cats & Dogs where he gets the formula for a classic just right. The production is big (and I mean BIG) and fits his heavy rain motif to a tee. The beats are thick, engrossing and show the rest of the world that Los Angeles is more than just sunshine and palm trees. But it really goes beyond that - it's a running theme throughout Cats & Dogs that this is the reflection of a man who feels his back getting closer and closer to the wall. This is Evidence at his most open and vulnerable and the new perspective we get on him as a person is where the album shines. From meditating on who and who not to trust on "Strangers" to personal demons on "I Don't Need Love", to financial problems on "Well Runs Dry" and the frantic percussion work that amplifies the desperation on "Falling Down", you can't help but root for Evidence to make it to the finish line. By the time we get to the DJ Premier-assisted "The Epilogue", that's exactly what we hear - someone who's come to terms with who (and where) he is and it makes the rollercoaster ride we just took that much more satisfying.
Great albums have a way of finding the listeners that need them. You ever notice how the best albums remain with you years later because it came into your life at the right time? Cats & Dogs definitely fit that bill for me and I wanted nothing else in my rotation for the next few weeks after its release; I can't say that for any other album on this list. Cats & Dogs has incredible production value, a well-executed theme and, pretty much, it just feels like the best album of 2011. Keep your umbrellas up.
LISTEN AND DOWNLOAD --> HERE
-Gravity